Music at St. Augustine's Church
Music forms an important part of our worship. Click on the links below to see our monthly music lists.
Jan 2012 |
Feb 2012
From the Director of Music:
"As you can see, there is no Choral Evensong in February. This will be the case for the whole of Lent, due to
illness/operations/recuperation of a number of key singers in the Choir."
Music in 2010 (zipped) | Music in 2011 (zipped)
To help with fund-raising towards the cost of the church lighting scheme, the PCC has agreed that each Sunday, the last hymn at Parish Mass may be one that is sponsored by a member of the congregation. To find out more, please view the form below...
DIRECTORS OF MUSIC | ||
1868 - 1913 | ||
1913 - 1919 | ||
1919 - 1955 | Thomas William North | |
1956 - 1960 | ||
1960 - 1965 | Roy Massey | |
1965 - 1972 | Derek Williams | |
1973 - 1975 | Peter Godden | |
1975 - 1979 | Nigel Argust | |
1979 - 1987 | Norman Dyson | |
1985 - 2004 | Christopher Harker | |
2004 - 2008 | Darren Hogg | |
2008 - | Paul Richards | |
Nunc Dimittis
Magnificat
Both recordings above are of Sir Charles Stanford's Evening Canticles in G, sung at Solemn Evensong on the Feast of the Dedication, 4th October 2009. The soloists were Bridget Tomlinson (Soprano) and Richard Warby (Bass-Baritone) and the Organ was played by Bernard Salter.
Hear My Prayer
The third recording was made on the 10th May 2009. The Choir of St Augustine's performed "Hear My Prayer" as part of Choral Evensong to celebrate the bi-centenary of the composer Felix Mendelssohn.
The Choir of St. Augustine's Church
Contrary to expectations, the choir is comprised of non-professional musicians whom I call enthusiasts rather than amateurs. Although only around twenty in number it manages to perform many different settings at both the 10.30am and 6.30pm Services.
Choral Evensong - with Benediction and an introit included on Festivals - is sung every week, excepting Low Sunday and the Sunday after Christmas Day, as is the 10.30am Parish Mass. August is taken as the choir holiday.
Psalms are generally sung to Anglican chants with an occasional plainchant with faux-bourdons. The proper plainsong office hymns precede the Magnificat.
On Festivals, Benediction and an Introit are included at Evensong, which is Solemn, with incense. At all Evensongs the Canticles are sung to a setting and there is an anthem.
Examination of the monthly music list shows the diversity of music in general use with little or no repetition -an inception almost unique in a parish church, and also indicative of the large library and all periods explored, up to and including the present day.
During Lent, at the morning service, the organ is silent except for the hymns. All else is unaccompanied, and no voluntaries; even notes and chords have to be found by other means - usually, I am glad to say, successfully! This is testing but very valuable for the choir's concentration and confidence.
St Augustine's was the first robed choir in Birmingham; occasionally we turn back the clock and try to imagine what Evensong may have been like in the days of the Oxford movement re-creating - as far as we can - the atmosphere as we perform classic Victorian anthems, which are sometimes long but certainly great fun. I know some of you will disapprove and even scoff, but take another un-biased look, and try a little careful editing and be pleasantly surprised at Goss's 'Wilderness', at Steggall's 'Remember now thy Creator', Ouseley's 'Jerusalem on high' and Stainer's 'How beautiful upon the mountains' - they have got something... and I think it's well worth the effort to preserve and perform them.
We try to keep to English settings, especially the Communion ones. There is a wealth of these, lying neglected and unused, on dusty shelves up and down the country ever likely to become extinct. It is also important to help to keep the "Anglo" in Anglo-Catholic.
The choir is under the supervision of the Musical Director who is aided by three competent organists. Rehearsals are twice weekly for sopranos, with one full practice on Friday. These are only about an hour long but are intensive - as needs be for the amount of music to be performed. The Sunday services are both preceded by a forty minute 'warm up. All choir members are dedicated and loyal. Some of the men travel many miles each week though the ladies and our talented teenage girls tend to live a little closer.
In all of this we are most fortunate in having a Vicar who is both very supportive and knowledgeable. Prior to his appointment here he was Priest Vicar at Llandaff Cathedral (Cardiff) and was in overall charge of the music there - as of course he is here.
As for the future... We hope and trust that we can, in essence, continue all we are trying to do; but falling numbers, a lack of interest in this type of music, no young choir men in the offing, general apathy, creeping anno domini - need I go on ? Whatever is going to happen to this great heritage of English Church Music is not very clear and sadly it does not look too promising outside the large Cathedral foundations, and even their futures are not totally assured.
If you have read thus far, I thank you for your interest, and if you, or someone you may know of would be interested in joining us, although we are not able to reward you with cash - something which some of larger compatriots may do (but we don't want 'Rent-a-choir') we can offer you friendship and enjoyment, and a chance to sing 'to the Glory of God and the refreshment of man' which is as it should be; BUT to do it properly is a big commitment and the only voluntary part is joining!
Paul Richards (Director of Music)
PEDAL | ||
01 | Open Diapason | 16 |
02 | Violone | 16 |
03 | Bourdon | 16 |
04 | Quint | 10 2/3 |
05 | Bass Flute | 8 |
06 | Octave | 8 |
07 | Fifteenth | 4 |
08 | Trombone | 16 |
09 | Clarion | 8 |
GREAT | ||
10 | Double Open Diapason | 16 |
11 | Open Diapason No.1 | 8 |
12 | Open Diapason No.2 | 8 |
13 | Open Diapason No.3 | 8 |
14 | Claribel Flute | 8 |
15 | Principal No.1 | 4 |
16 | Principal No.2 | 4 |
17 | Harmonic Flute | 4 |
18 | Twelfth | 2 2/3 |
19 | Fifteenth | 2 |
20 | Mixture | IV |
21 | Posaune | 8 |
SWELL | ||
22 | Double Diapason | 16 |
23 | Open Diapason | 8 |
24 | Salicional | 8 |
25 | Stopped Diapason | 8 |
26 | Vox Angelica | 8 |
27 | Principal | 4 |
28 | Fifteenth | 2 |
29 | Mixture | II |
30 | Double Trumpet | 16 |
31 | Cornopean | 8 |
32 | Oboe | 8 |
33 | Clarion | 4 |
34 | Tremulant | |
CHOIR | ||
35 | Geigen Principal | 8 |
36 | Viole d'Orchestre | 8 |
37 | Lieblich Gedact | 8 |
38 | Echo Dulciana | 8 |
39 | Suabe Flute | 4 |
40 | Salicet | 4 |
41 | Piccolo | 2 |
42 | Larigot | 1/1.3 |
43 | Clarinet | 8 |
44 | Posaune | 8 |
45 | Tremulant | |
The Organ at St. Augustine's Church
The first organ at St. Augustines was constructed in 1869 by William Hill and Son of London as a two manual instrument. In 1914, after forty-five years of service and as a memorial to Mr Alfred Gaul (Mus. Bac.) The organ was rebuilt by the firm of Frederick Rothwell of London at a cost of nearly £1,000.

A new electric blower with new stop additions were added along with a new console constructed in the rothwell style. In 1935 the organ was overhauled and given a new blowing system and several tonal additions, the organ is now a three manual instrument.
In 1956 the organ was rebuilt by Nicholson & Co of Worcester. new action and the Rothwell console was replaced.

In 1976 the organ was cleaned and the electrics were overhauled. The great posaune was put on a seperate sound chest and re-voiced on a higher wind preasure turning the stop in a solo loud reed. The great mixture was remodelled into a four rank mixture and rename as Fortniture IV. A Larigot was also added to the choir manual.
In 2005 a survey of the organ was done by Paul Hale and a campaign was started to raise funds to rebuild the organ.








